For example, if you wrote a logline for FMA Brotherhood it would probably go like this: A pair of brothers join a militaristic government organization to obtain a magical item to restore their humanity but discover a dark political conspiracy that tests their morals. A logline is 1-2 sentences that captures a whole story's plot/trajectory very quickly. Logline: Probably the hardest thing to write. So let's go into each one and explain what they are. It doesn't have to be in this exact order but yeah this is pretty much the standard pitch bible format. ![]() So what actually goes into a pitch bible? I always find it difficult to cut out details of my stories that I'm super excited about but trust me it helps you out in the long run when execs start asking questions and you can answer them easily 'cause you know the story inside and out. You have to choose the essentials that perfectly represent your story while also brewing curiosity into the execs. Execs see dozens upon dozens of pitches a day so they don't always have the time (and attention span) to read a 30-50 page document that explains every little detail about your story. So for those who want to pitch shows or films, make sure you are making a pitch bible and not a show bible. ![]() ) A show bible is made during development which happens after you pitch your show to a studio and you sign a contract with them to go into development in hopes of getting a greenlight production. I have to cut things out!" This is not to be confused with a show bible, which is a far more extensive and deeply explored document that covers a whole show's trajectory (in terms of plot, characters, world-building, etc. 10-15 may sound like a lot but once you start crafting your pitch you'll think, "Oh shit I can't include everything. A pitch bible is a short document (yes short) that pretty much encapsulates your entire show in 10-15 pages or less.
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